Stoker had been called to the bar,â Mr. Thring says, impressed.
âIndeed he was, Mr. Thring.â
âDid he practice often?â
âNo, he didnât actually practice,â Mrs. Stoker says, wondering why this always comes up as an issue.
âNot at all?â
âI believe not,â confirms Mrs. Stoker taking a sip of tea.
âGoodness! Too busy with Sir Henry, I suppose.â
The unhappy thought enters Florenceâs mind that her husband could indeed have achieved much that was both respected and remunerative if he had not been so tied to Irving. Why had he made life so difficult for himself? Itâs a dark puzzle she is afraid of unpicking. And there is another piece of business pertaining to Bramâs career. Mr. Thring is so charming she has almost forgotten the news he has come to give is not good.
âNow, to get back to this film, Mr. Thring,â Florence prompts.
âOf course,â he replies.
âI understand that the company â â
â â Prana Films,â Mr. Thring nods.
âQuite so ⦠that has committed this atrocious theft has gone bankrupt and that this may delay punishment and destruction of the film itself.â
âYes,â Mr. Thring replies colouring a little. âAll the property of Prana Films has been in the hands of the official receiver, it transpires, for some weeks ⦠â
âAnd the culprits are free?â
Mr. Thring shifts in his seat. âPrana Films no longer exists as a legal entity. So any claim to damages would have to go through the official receiver.â
Florence lays her cup down. âThis is most unsettling,â she says. âFor a theft to take place and then for the perpetrators so simply disappear in a puff of smoke is â¦â
âMost unjust, I quite agree,â Mr. Thring says firmly.
âAnd it is not damages I want from them, Mr. Thring,â Mrs. Stoker continues, her courage rising. âIt is damage I would like to do to them.â
âQuite so,â Mr. Thring says very seriously.
âWhen I think what might have happened, and that only providence prevented this thing from coming to London to smear my husbandâs memory in the open. I must have this film destroyed at the very least.â
Mr. Thring lurches forward in his seat. âUnfortunately,â he says wringing his hands, âthere are probably a number of copies.â
âA number!â Florence exclaims. She feels as though her problem has just multiplied like so many fast-breeding insects. âWhy would there be more than one?â She hopes he has made a mistake, that he knows nothing about this business.
âIt is common practice, I believe, to have many copies of a moving picture so it may show in many cities at one time.â
Florence has to prevent herself from rising. The image of this horror spreading like a disease around the world is just intolerable.
âPlease donât alarm yourself, Mrs. Stoker,â Mr. Thring says calmly, âIâm sure we will find a way. We will be patient andhope for co-operation from the receiver. This is an outrage and we will do all in our power to put it to rights.â
Florence looks into Mr. Thringâs dark, trustworthy eyes. She begins to breathe more easily.
âNow,â he says, looking down at her Persian rug. âThere is one last little problem.â
The pause makes Florence worry.
âThere is a very small âfilm societyâ as they call themselves, here in London.â Mr. Thring takes out his handkerchief and dabs his mouth. âThey meet somewhere in Knightsbridge, I believe. Only very limited numbers turn up, Iâm sure.â Florence senses that a dark invasion is about to overtake the green and ordered land of her memory. âThey appear to have got themselves a copy and are advertising among their very small membership a presentation of the film tomorrow
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