turn.
Carefully, he pushes the covers off his legs and turns so that his feet touch the rug. Then, shivering from the unexpected chill, he stands and takes a step towards the windows.
âWhat,â Maud moans.
William realizes he has miscalculated; she is waking. He feels trapped.
âWhat!â she says louder.
âItâs ⦠donât worry, itâs just me,â he replies, not moving any closer to the window.
âWhat are you doing?â
âNothing.â
âAre you ill?â
The moonlight catches her bare arm which reaches up to her forehead; her neck is raised from the pillow.
âIâm just going to check the garden,â William says, too muddle-headed to think in terms that make any sense.
âCheck the garden? You know Iâm a light sleeper, William. I wish you wouldnât do this.â
âIâve never done it before,â he replies, comically stranded on the rug, as though unable to continue without permission.
âYou did it last night,â she replies sighing and banging the pillow behind her. âWhy are you checking the garden? Whatâs wrong with it?â
âThereâs a man standing in the middle of it.â
âWhat?â she replies laying her head down again on the pillow. âYouâre having a nightmare. Come back to bed.â
He sighs, turns and climbs back into bed. He watches the curtains move slightly although the windows are closed.
T HE SHINY PALE leaves and knotty clumps of oriental twigs and branches look incongruous to Maryâs eyes, especially beneath the sliced fruit cake. But it is as though nothing in England is English â at least not the china she has been polishing all morning. In the last hour, she has travelled the globe. She has encountered the curved, bronzed features of Indian princes with loose silken trousers and earrings. She has viewed the snow-ridged mountains of some unknown eastern highlands populated by men with huge furry hats and skinny moustaches. And now finally she is gazing at the sparse, decorous beauty of the Japanese court with single trees, waterfalls and beautiful white-faced women.
âShall I take the tea in, Mrs. Davis?â
Mrs. Davis glances up as she places the teapot on the tray. She smiles naturally, like one used to pleasing.
âWell yes, Miss Manning, that would be a nice idea.â
Mary wonders whether Mrs. Davis is as confused by Maryâs status as she is herself. âMiss Manningâ seems wrong coming from a lady twenty years older than her. She has always been just Mary in Ireland. And here her elevation makes little sense. She does the chores of a servant most of the time. She lives in the servantsâ quarters. Yet Mrs. Davis is almost deferential.
Mrs. Davis opens the scullery door and Mary departs holding the tray tight, trying not to let the Japanese china clink so hard it may break.
The tray wobbles as, one-handed, she opens the door. She remembers not to knock â knocking, she was told very early on by Mrs. Davis, is a faux pas. (Mary did not know what a faux pas was and Mrs. Davis had to explain it to her. From then on the puzzle has been less about strange customs and more about why the English constantly lapse into some foreign dialect when they feel threatened.)
Within, Mrs. Stoker sits with the bald, bespectacled man to whom Mary had answered the door. Mary wants another look at this Mr. Thring who seems like a character from Dickens, all angular details, and delicate, thought-out movements. Neither Mrs. Stoker nor Mr. Thring look up as she enters and places the tea before them on the little mahogany table, but there is a silence and she assumes one of them is about to address her. But no; itâs just a lapse in the conversation.
âWell, when your son came to see me yesterday, I realized that if I had any news at all â good or bad â I must take the golden opportunity to visit the famous Mrs.
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