afternoon. If they had seen my upraised hand.
But I had
not
hit Lily. I had
not
. I held on to that as I lay in bed with my forearm over my open eyes. I had
not
done it. Not this time. And yet â¦
I recalled the strange expression on Lilyâs face. Suddenly I recognized it. I had seen it on Gregâs face, when Emily fell. Before he buried it in the basement of his house of lies. It was â¦
Complicity.
CHAPTER 12
T he next day exhaustion pressed on me like concrete. Only part of that day felt real: last period, in Dr. Walpoleâs class. There, I got a second wind and was able to sit up and pay attention of a kind.
Despite myself, I had become interested in the class. Up to then, we had been occupied by a rapid overview of the thousand-year period. Dr. Walpole was a good teacher: knowledgeable, and even, in her own dry way, dramatic. I would never forget her slides of the Kriminalmuseum in Rothenburg, with its elaborate instruments of torture. Who had ever heard of a punishment flute for bad musicians? Or a heavy metal mask with a tongue guard for gossips? Not to mention the more elaborate and horrible devices: racks, eye gougers, the inner-spiked case of an iron maiden. âForget about criminals, witches, and heretics for a minute, people,â said Dr. Walpole, âand notice how many ofthese instruments were used for day-to-day social control.â
I wondered, with a kind of sick fascination, what they would have used on me. Or on Greg.
That day we were to announce our medieval identities: the point of view from which, said Dr. Walpole, we would individually grapple with the entire period. âAnd about which,â sheâd added, âyou will write a major paper in the spring. So be careful. The character you pickâwho can be real or imaginaryâwill be with you all year. Remember that if you choose to invent someone, you will still be responsible for collecting the background to form a realistic environment and opinions for your character.â
In other words, it would be tougher to make someone up than to choose someone about whom you could just do specific research. I took the hint and chose a real person: Maimonides, a twelfth-century rabbinical scholar, philosopher, and physician. There was lots of material available about him, much of which was easily accessible via the Net.
I was the first person in the class to declare my choice. Dr. Walpole considered me over her half glasses and then nodded. âA fine choice.â She wrote it down, and then said, âStoph?â
While Christoph Khouri explained his choice (an elaborate imaginary identity for an eleventh-century fighting knight), I heard Frank Delgado whisper at me: âHey.â
This was unusual. Though we still sat side by side in Dr. Walpoleâs class, we had comprehensively ignoredeach other since heâd matter-of-factly identified the depth of my daily fear. I glanced over at him. âWhat?â
Frank replied, âI like Maimonides. I can see that his rationalism would appeal to you.â
I blinked. I didnât quite know how to react. But it didnât matter; Frank had already half turned away to look toward Dr. Walpole, who was in the process of rejecting Justine Sinclairâs choice. âI donât believe youâve really considered the wide range of possibilities, Justine,â she was saying.
âBut I have, Dr. Walpole,â said Justine earnestly. âJoan of Arc is a major figure. Donât you think sheâs fascinating?â
âI think everyone at this school already knows Joanâs story,â said Dr. Walpole. âIncluding you. Her presence will not add new information to our discussions; nor will you be challenged in the research phase.â She paused. âHow about Margery Kempe? She saw visions too.â At that, I saw Frank smile to himself; clearly, he knew who this Margery Kempe was. I wanted to kick him.
Frank Delgado was last. I
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