gets a little sickly after three pots. But Dilanâs standing there, waiting for us, and he immediately hands me another one. âWrong year, wasnât it?â he says.
I nod, tearing the lid from the new pot.
âThought so,â he says. âIâve been comparing pots. And the scary womanâs still here. Sheâs making Granddad eat stew and dumplings. Itâs a horrible scene, gravy carnage, slime, the whole works. Anyway, these should work.â
Before I start on the new yoghurt I fill a sparklingly clean glass from the tap and glug it down. Lorna becomes completely solid alongside me and grabs another glass.
âWhen we get back,â I say, âremind me to tell you about Hendersonâs.â
âHendersonâs? Why?â asks Dilan.
âBecause,â I say, taking my first spoon of yoghurt and having the fleeting thought that perhaps itâs not chance sending us from one year to another, but the fridge. âFor now I need to get back and sort out the gerbils, and then thereâs Mum and Dad. The other stuff can wait.â
Lorna stands next to me, and fiddles with the letters on the fridge door. U ACTION, NO I C U AT, CAUTION .
âWhat other stuff, Bugg?â
Heâs too late. The kitchen floor fades, and chequered lino takes its place.
Our kitchen in 1969 looks exactly like it did last time. The only difference is that Iâm far more worried; we canât live with missing parents and the scary clean woman, or at least not for long.
We arrive at the same time as Dilan and me do the first time, and I shove Lorna out through the door while my previous self is taking in the surroundings.
âWhatâs the rush?â says Lorna, stumbling along the footpath.
âWe need to stay out of sight of ourselves and get there before the gerbils get loose.â
âOK,â she says cheerfully. And to be fair, she makes a real effort and runs through the meadow, skipping through the tussocks almost as fast as me although I still donât think she has the faintest idea why.
I glance back. In the distance I can see the other me, Lorna and Dilan arguing about staying or going. Itâs the weirdest feeling ever.
We run past the woman with the pram and the little girl and the kite. She smiles at us.
âHello,â I say. âLovely day.â
âYes,â she says. âIsnât it.â
In a moment weâre going to pass her again. I wonder if sheâll notice.
When we reach the pier, we donât bother with the man in the booth, just race down the side and up the ladder. The barnacle limpet things look exactly the same, but this time theyâre not as scary as the idea of not finding the gerbils.
âSo are we going to find ourselves in there?â asks Lorna, clambering up the ladder. âWill we meet ourselves? Should we meet ourselves?â
âYes, we could meet ourselves, but, no, I donât know if we should. I donât know what really happens if you do, but I donât think itâs a good idea.â I step out onto the pier. âIn everything Iâve ever read, meeting yourself has meant  â¦Â â I hold my hands up to show an empty space. âPing!â
âWho pings exactly?â she asks. âYou or the other you?â
I shrug. âHow can you tell which oneâs which?â
Lorna tilts her head and wrinkles up her nose. âIâd rather not ping, if you donât mind,â she says.
I donât answer, and push the â NO ENTRY â door, just like last time. I canât see a thing and have to stand at the back blinking at the glitter ball as the brightest thing in the room.
âWe must have been over here when we lost them,â says Lorna, crawling under the seats.
âWe were,â I whisper. âBut weâre going to have to stay hidden until we see the gerbils escape, and then weâll have to do the best we can to catch
Allison Brennan
Mark Terence Chapman
Cidney Swanson
Bruce Henderson
Anastasia Ryan
Jana Leigh
Ursula K. Le Guin
Eden Redd
Stephanie Barron
Group Publishing