The Beauty and the Sorrow

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Authors: Peter Englund
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been crawling along, stopping time after time out on the track for no apparent reason. Sections of the track have been repaired, but only just passably, and on those sections the carriages have swayed and rocked “like a ship in high sea.”
    At half past five in the morning they finally pull into the station at Suwalki.
    She sets off on foot in the raw, cold autumn darkness, accompaniedby an acquaintance from the town, a doctor’s wife. The road is churned up and difficult to follow. It slowly gets light. She sees Russian soldiers on the march, some of them drunk. She sees damaged buildings and flattened fences.
    The children and the household staff are still in Vitebsk, where they have taken temporary accommodation. Stanislaw has been called up by the Russian army and gone off to serve as head of the sanitation engineers in the newly taken city of Lemberg. But before he disappeared he managed to travel to Suwalki, which had just been recaptured, and bring back two trunks of clothes and the news that the house was still standing. He had not wanted to say anything about the damage, merely saying it would be best for her to go and see for herself.
    Which is why she is here now. She would really like to bring the children back as soon as possible, now that the Germans have been pushed back towards East Prussia.
    When they reach the doctor’s house Laura goes in to get her breath back and to gather her strength. She is more than a little afraid of what she is going to find—as a woman who grew up in New York she has no experience of this kind of situation. She is offered coffee and at about half past seven she sets off again.
    At last she reaches her house, which is waiting there for her in the morning light.
    She goes in. She can hardly believe her eyes.
    Everything has been torn, smashed, ripped out, spilled, hurled around, knocked over and fouled. Every drawer has been pulled out, every wardrobe emptied. She wades around in the confused wreckage of the things that had once made up her home. The smell is indescribably awful. Laura goes from window to window, opening them, breathing deeply and holding her breath before going on to the next window and opening it. The library has been completely vandalised. The contents of all the shelves have been emptied and the floor is invisible beneath a layer of torn books and papers, scattered documents and engravings.
    The remains of the dropped soup tureen are still lying on the floor in the dining room, along with a thick, crunching carpet of broken glass, dirty china, filthy cloths—all of it trampled by rough boots. The German soldiers and officers who lived here until a couple of weeks ago simply hurled the dishes and glasses on the floor after using them, then used new ones and done the same with them.
    Laura goes into one of the pantries. Glass jars are lined up in neat rows. They used to contain jam, marmalade, honey and bottled vegetables. All the jars have been emptied of their original contents and filled with human excrement instead.
    She gives orders for Jacob, the workman, and his wife and daughter to start clearing up. Meanwhile, she is going to draw up a list of everything missing and take it to the police.
SUNDAY , 25 OCTOBER 1914 w
Michel Corday takes the train back to Bordeaux
    There are times when he moves among people as though he were on a different planet, surrounded by absurd incomprehensibilities. Is this really his world? In one sense, no. Michel Corday is a forty-five-year-old civil servant at the Ministry of Commerce and Post but he is also a socialist, a litterateur and a friend of peace. He writes literary criticism and political articles for the newspapers and has even published a number of novels, some of which have been reasonably successful. (He was in the army at one time and several of his works— Intérieurs d’officiers [1894] and Coeurs de soldats [1897], for instance—reflect that background, whereas others deal with the sufferings of

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