Publisherâs Note
The poems in this selection, like those in Sylvia Plath: Collected Poems, are arranged in chronological order of composition rather than of publication. For all of the poems apart from âMiss Drake Proceeds to Supperâ (1956) and âResolveâ (1956), which have been published only in Col lected Poems, dates of composition and the collections in which they originally appeared are given below.
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The Colossus (London, 1960; New York, 1962): âSpinsterâ (1956), âMaudlinâ (1956), âNight Shiftâ (1957), âFull Fathom Fiveâ (1958), âSuicide off Egg Rockâ (1959), âThe Hermit at Outermost Houseâ (1959), âMedallionâ (1959), âThe Manor Gardenâ (1959), âThe Stonesâ (1959), âThe Burnt-Out Spaâ (1959)
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Ariel (London and New York, 1965): âYouâreâ (1960), âMorning Songâ (1961), âTulipsâ (1961), âThe Moon and the Yew Treeâ (1961), âLittle Fugueâ (1962), âElmâ (1962), âPoppies in Julyâ (1962), âA Birthday Presentâ (1962), âThe Bee Meetingâ (1962), âDaddyâ (1962), âCutâ (1962), âArielâ (1962), âPoppies in Octoberâ (1962), âNick and the Candlestickâ (1962), âLetter in Novemberâ (1962), âDeath & Co.â (1962), âSheep in Fogâ (1963), âThe Munich Mannequinsâ (1963), âWordsâ (1963), âEdgeâ (1963)
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Crossing the Water (London and New York, 1971): âFace Liftâ (1961), âInsomniacâ (1961), âWuthering Heightsâ (1961), âFinisterreâ (1961), âMirrorâ (1961), âThe Babysittersâ (1961), âAn Appearanceâ (1962), âCrossing the Waterâ (1962), âAmong the Narcissiâ (1962)
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Winter Trees (London, 1971; New York, 1972): âLesbosâ (1962), âBy Candlelightâ (1962), âMaryâs Songâ (1962), âWinter Treesâ (1962)
SELECTED POEMS
Miss Drake Proceeds to Supper
No novice
In those elaborate rituals
Which allay the malice
Of knotted table and crooked chair,
The new woman in the ward
Wears purple, steps carefully
Among her secret combinations of eggshells
And breakable humming birds,
Footing sallow as a mouse
Between the cabbage-roses
Which are slowly opening their furred petals
To devour and drag her down
Into the carpet’s design.
With bird-quick eye cocked askew
She can see in the nick of time
How perilous needles grain the floorboards
And outwit their brambled plan;
Now through her ambushed air,
Adazzle with bright shards
Of broken glass,
She edges with wary breath,
Fending off jag and tooth,
Until, turning sideways,
She lifts one webbed foot after the other
Into the still, sultry weather
Of the patients’ dining room.
Spinster
Now this particular girl
During a ceremonious April walk
With her latest suitor
Found herself, of a sudden, intolerably struck
By the birds’ irregular babel
And the leaves’ litter.
By this tumult afflicted, she
Observed her lover’s gestures unbalance the air,
His gait stray uneven
Through a rank wilderness of fern and flower.
She judged petals in disarray,
The whole season, sloven.
How she longed for winter then! –
Scrupulously austere in its order
Of white and black
Ice and rock, each sentiment within border,
And heart’s frosty discipline
Exact as a snowflake.
But here – a burgeoning
Unruly enough to pitch her five queenly wits
Into vulgar motley –
A treason not to be borne. Let idiots
Reel giddy in bedlam spring:
She withdrew neatly.
And round her house she set
Such a barricade of barb and check
Against mutinous weather
As no mere insurgent man could hope to break
With curse, fist, threat
Or love, either.
Maudlin
Mud-mattressed under the sign of the hag
In a clench
Penny Hancock
Stendhal
Tess Oliver, Anna Hart
Celia Kyle
F. Paul Wilson
Homer
Jane Lee
Rachel Vincent
Jaycee Clark
James Patterson