previous owners had put on some good operas. It was only a shame that their genius hadnât run to book-keeping as well. Money seemed to have been taken out of the accounts when anyone neededit. The financial-record system largely consisted of notes on torn bits of paper saying: âIâve taken $30 to pay Q. See you Monday. R.â Who was R? Who was Q? What was the money for? You wouldnât get away with this sort of thing in the world of cheese.
He looked up as the door opened.
âAh, Salzella,â he said. âThank you for coming. You donât know who Q is, by any chance?â
âNo, Mr Bucket.â
âOr R?â
âIâm afraid not.â Salzella pulled up a chair.
âItâs taken me all morning, but Iâve worked out we pay more than fifteen hundred dollars a year for ballet shoes,â said Bucket, waving a piece of paper in the air.
Salzella nodded. âYes, they do rather go through them at the toes.â
âI mean, itâs ridiculous! Iâve still got a pair of boots belonging to my father!â
âBut ballet shoes, sir, are rather more like foot gloves,â Salzella explained.
âYouâre telling me! They cost seven dollars a pair and they last hardly any time at all! A few performances! There must be some way we can make a saving â¦?â
Salzella gave his new employer a long, cool stare. âPossibly we could ask the girls to spend more time in the air?â he said. âA few extra grands jetés ?â
Bucket looked puzzled. âWould that work?â he said suspiciously.
âWell, their feet wouldnât be on the ground for so long, would they?â said Salzella, in the tones of onewho knows for a fact that heâs much more intelligent than anyone else in the room.
âGood point. Good point. Have a word with the ballet mistress, will you?â
âOf course. I am sure she will welcome the suggestion. You may well have halved costs at a stroke.â
Bucket beamed.
âWhich is perhaps just as well,â said Salzella. âThere is, in fact, another matter that Iâve come to see you about â¦â
âYes?â
âIt is to do with the organ we had.â
âHad? What do you mean, had ?â said Bucket, adding, âYouâre going to tell me something expensive, are you? What have we got now?â
âA lot of pipes and some keyboards,â said Salzella. âEverything else has been smashed.â
âSmashed? Who by?â
Salzella leaned back. He was not a man to whom amusement came easily, but he realized that he was rather enjoying this.
âTell me,â he said, âwhen Mr Pnigeus and Mr Cavaille sold you this Opera House, did they mention anything ⦠supernatural?â
Bucket scratched his head. âWell ⦠yes. After Iâd signed and paid. It was a bit of a joke. They said: âOh, and by the way, people say thereâs some man in evening dress who haunts the place, haha, ridiculous, isnât it, these theatrical people, like children really, haha, but you may find it keeps them happy if you always keep Box Eight free on first nights, haha.â I remember that quite well. Handing over thirtythousand dollars concentrates the memory a bit. And then they rode off. Quite a fast carriage, now I come to think about it.â
âAh,â said Salzella, and he almost smiled. âWell, now that the ink is dry, I wonder if I might fill you in on the fine detail â¦â
Birds sang. The wind rattled the dried seed-heads of moorland flowers.
Granny Weatherwax poked in the ditches to see if there were any interesting herbs hereabouts.
High over the hills, a buzzard screamed and wheeled.
The coach stood by the side of the road, despite the fact that it should have been speeding along at least twenty miles away.
At last Granny grew bored, and sidled towards a clump of gorse bushes.
âHowâre you doing,
Lucy Kevin
Rossi St. James
Andrew Martin
Kendra C. Highley
Maggie Marr
Betsy R. Rosenthal
Nocturne
David Thurlo
Erich Segal
Steven Woodworth