friend, the inebriated woman, had disappeared.
I said, âWhere are you parked? I vote we go into Kinko's and sneak out the front entrance, get to your car, and worry about the Rabbit later.â
âI don't have a car.â
âWhat do you meanâwhat are we doing here?â
He nodded across the street. âThe bus stop.â
âYou take the bus?â Number four, I thought, Has Car.
âI have to get back to the hospital; I'm trying to spring someone.â He set Margaret on the ground. She reached the end of her leash, and he reeled her back.
âYou're saying you got to Rio Pescado today by
bus
?â I asked.
âYou think buses exist just to annoy cars?â He looked across the lot again.
âNo, listenâyou're right, you do need my car. I'll give you a ride, I have to go back to the hospital tomorrowâtoday, actu-ally.â
He turned. âYou can't go there. You'll be a police flyer by tomorrow, as a kidnap victim.â
I stared at him. âMy God. But I have toâI mean, how am I going toâ?â
He held up a hand.
The car came into view.
It traveled with the speed of a funeral cortege. It passed under a floodlight, revealing itself as a sporty little thing with a canvas top. It reached the smattering of cars in front of Vons and slowed further, as though taking down license plates.
âWhat is that, an Alfa Romeo?â Doc asked. The car made a forty-five-degree turn, and headed toward us like a heat-seeking missile.
I flattened myself against the brick. âI don't know. I'm not a car person.â
âThere's a surprise.â He put a reassuring hand on my knee. âIt's dark; they won't see us.â
The slow, inexorable approach was excruciating. I was reminded of tanks in World War II movies. My legs shook and I abandoned my squatting position to sit, feeling the cold cement seep through my cotton flannel skirt. âLook,â I said, âif I can't go back to the hospital, you can't either.â
âI'm in different clothes.â He kept his attention on the car. âI'll shave, I'll speak Spanish, they won't know it's me.â
âWell, I can change too, disguise myââ
âNo, you can't. There's only one of you. How many six-foot blondesââ
âFive eleven and seven-eighths,â I said. If I slouched. He had a point, though. Already he was a far cry, visually, from the doctor in the scrub suit. It wasn't just the tuxedo; he had a chameleon quality that I lacked.
The Alfa Romeo passed under lights again, showing two passengers, of indeterminate age and gender. âGood,â Doc said. âCome on, come on . . . Let's see your license number.â
Let's not, I thought. I did not enjoy hide-and-seek with sinister sports cars. My intrepid friend Joey would consider this a good time, but not me. And what would we do with a license? Call the police, report slow driving?
The Alfa Romeo made a sharp right and I let out a breath. The thought of police led me back to my brother. P.B. would be okay without me; he had his aluminum foil, more vital to his peace of mind than my presence. I just had to figure out how to keep him away from the murder investigation. Maybe I could arrange for him to visit Uncle Theo for a few days andâ
The Alfa Romeo stopped. Five parking spaces away from the Rabbit.
âWhat are they doing?â I whispered.
âWondering where we are. My guess is, they were too far away to see you run me over, but they recognize your car. I lost them for a minute on the exit ramp, then they got lucky.â
My poor, defenseless Rabbit. âFor the record,â I said, ârather than âspring' someone from Rio Pescado, you might try going through channels; the staff is surprisingly human. But say you do it your way: What then? Wait for the getaway bus? Hide in the woods, live on leaves? If you're determined to break the law, you really will need my
Penny Hancock
Stendhal
Tess Oliver, Anna Hart
Celia Kyle
F. Paul Wilson
Homer
Jane Lee
Rachel Vincent
Jaycee Clark
James Patterson