senseless. This was the aftereffect of absolute horror, of looking the worst-case scenario dead in the eye.
How much time passed before she was able to move or process even the simplest rational thought, she didn’t know. Shadows were beginning to crawl across the floor. The light coming in through the blinds was negligible.
She began to move.
She had to turn on the light and proceed very calmly now. A voice in her brain was giving her the same pep talk as when she went to look for Pat. She knew beyond a doubt that something very dirty and hideous had come into this room and snatched her son. She did not know what it was, but her mind kept telling her it was the snake that had gotten Pat.
Now it was in the house.
It was in her house.
It had killed her husband and now her infant son. Though part of her wanted to rage and scream, she did neither. There was no point in screaming. Screaming was to vent horror and to bring help, but there was no valve that could release the horror inside of her and no help to be found.
What she would do, she would do alone.
The snake was here somewhere and she would find it.
There was nothing left inside her now but the need to hunt the thing and bring about its doom.
Yet, for all her hate and all her resolve, she sank to the floor, sobbing…at least until her mouth opened and a wailing voice came out: “WHERE’S MY BABY? WHERE IS MY BABY?”
14
Eva Jung lay on her bed, not asleep and not quite awake, thinking, dreaming, wondering about arteries and veins and capillaries. These are the words she used even though she knew what she was really thinking about were pipes. All the pipes that connected the town to the freshwater pumping stations and the wastewater treatment plant. An absolute network that united homes and factories, office buildings and apartment houses as arteries, veins, and capillaries connected organ systems into a common whole.
Wasn’t that funny and wasn’t that strange?
In came the water and out went the waste, just like a living thing. The good, clean water came up through narrow pipes and aqueducts, all the bad stuff was sucked below into subterranean channels of night and dank brick catacombs where rats scratched and things bobbed in rivers of filth. It all went down there—the piss and shit, gray water and bacon lard, hairballs and menstrual blood, old spaghetti and animal fat, all the rotting waste, the vegetable and animal matter, the organic detritus of the human kind.
Down there, down below, down in the black, diseased, and reeking bowels of the city.
And it was there, she knew, that things mutated and took shape in the sunless, polluted, steaming channels and pipework. Oh yes. The very same things that were rising now and spilling into the streets and homes on bubbling rivers of black muck.
Knowing this, Eva decided the veins and arteries of the town were more like conduits that linked the dark underworld with the sunlit world of men. They were highways that led into every single house.
15
In the end, Marv O’Connor left Fern with the kids because there was no damn way he was letting her go out into the darkness with that goddamn reeking mud flowing in the streets. Fern weighed about 105 pounds soaking wet. He could just picture her getting washed away in the slop never to be seen again. No, this was a job for someone a little meatier and that was him. At 6’3” and 260 pounds, it was going to take some real mud to wash him away.
Besides, he was just as worried about Tessa Saldane as she was.
Help me…I’ve been attacked…
Those were the words Fern said Tessa used on the phone. Marv knew Tessa pretty damn well by that point. She wasn’t someone to call and say something like that unless there was a very real threat. She was far too old and far too proud for such theatrics.
But attacked …?
It was crazy.
It was no easy thing getting over to her house.
Joseph Helgerson
Akira Yoshimura
Fern Michaels
Elizabeth Bemis
Melissa Walker
Moxie North
Amberlyn Holland
Mhairi McFarlane
Lois Richer
Jill Sanders