with layered hair is unraveling a scarf as she yells into a cell phone. Next to her, two elderly women close up shop. They bring in a table of mangoes and plantains.
Blitheâs face is so expressive. When she mimics her fatherâs new girlfriend, a cattle dealer he met online, she expands her nostrils, widens her eyes, and talks without moving her tongue. Apparently, the woman has some kind of speech impediment. After two drinks, Uriâs told her about growing up in Providence, his rocky relationship with his brother, Alvin, Alvinâs ridiculous trophy wife, Bev (who insists on wiping down restaurant seats with disinfectant before sheâll sit). Blithe laughs easily.
After the third round of drinks, Blithe leans close. She tells him her apartment is just around the corner, he should come see the watercolor her father sent for her birthday.
He shouldnât go. Itâs obvious where this is headed. He looks at his watch. Itâs eight. If he swings by, gets her home safely, he can make it back to Berkeley before Indiaâs class gets out. They leave the restaurant and heâs careful to hold his bag over the bulge in his pocket. As they walk, her hand brushes his forearm twice and lingers. He breathes in sharply, getting a dizzying whiff of that pear shampoo.
Blitheâs studio is IKEA tidy. Everything has a little red cabinet of its own. Her bed sits stately in the middle of the room, heaped with throw pillows in rich, dark colors. She has a little lamp with a beaded shade that throws gold light all over the covers. Thereâs no other place to sit. Blithe goes to the little kitchenette, takes out an open bottle of bourbon, and pours them each a glass. Her squat, square tumblers have little Georgia peaches etched into them. She gestures to the painting on her bookshelf.
âI like the red in it,â he says.
She faces him. They havenât had dinner and theyâre both sufficiently drunk. Uri takes a big swallow. The bourbonâs terribleâcheap with a sharp burnâbut thereâs a nice numb heat spreading over his chin.
âIâve had so much fun with you tonight,â Blithe says. Her mouth is open slightly; her teeth look strong and clean. âYouâve made my birthday.â
Blithe waits, but Uri doesnât say anything. And then she smiles slyly, reaches for the tie at her hip, and undoes it. The dress falls open. Only the lace on her bra is black. The rest is a rich, silken cream. Uri takes her by the waist and pulls her toward him, sliding the dress off her arms with his palms. Then itâs like watching a tree fall in slow motion: she barely bends, just falls on top of him, willingly, sloppily, and as she lands Uri feels a crunch against his thigh; wetness starts to ooze.
âOh for Christâs sake,â he says, pushing Blithe off him. All the gold shards of light on the sheets are just Indiaâs intelligent eyes, watching him silently as the egg makes its way into his pubic hair.
Blithe gets another egg from the refrigerator, but she doesnât have a Sharpie so he canât draw the face. And whatâs more, thereâs a wet, sticky mess in his pants pocket and all over the sock the egg was wrapped in. He rinses both things out in the sinkâbut how will he explain to India that the egg is now faceless, when she clearly saw that heâd drawn on it, and that the sock is sopping wet?
âI donât understand,â Blithe says. âWhatâs it for?â Blitheâs breath smells like Lysol.
âItâs a competition,â Uri says. He wants to say with my wife, but heâs too much of a coward. Blithe must know heâs married, though heâs managed never to bring it up. He doesnât wear a ring. Neither does India. When they got married, India begged that they each tattoo a circle on their big toe. She thought it was more binding, not to mention more interesting. At that point in her life she
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