absent victim: a nylon necktie circa 1961, a handful of spy thrillers in English, a Catholic catechism, and, strangely, a pile of ratty boxer shorts.
She states for the record that her belongings are among those recovered, but is not allowed to retrieve anything--the other victim must be present to avoid disputes over ownership, and the police cannot find him.
That night, Hardy phones Annika to coax her over. "It's creepy with the window smashed," Hardy says. "You don't want to come and protect me? I'll cook."
"I wish I could, but I'm still waiting for my fella to get home," Annika says, meaning Craig Menzies, the paper's news editor. "You could always come hang out with us."
"I don't want to go overboard. It's fine."
Hardy checks the deadbolt and settles on the couch, blanket laid over her legs, feet snuggled beneath, a carving knife within reach. She gets up and checks the lock again. As she passes the mirror, she raises a hand to block the sight of herself.
She inspects the window in the kitchen--air rushes under the cardboard that patches over the shattered pane. She prods the card. It holds, but is hardly safe. She nestles under the blanket and opens her book. After eighty pages--she's a fast reader--she gets up to investigate what's available in the kitchen for dinner. She settles on rice crackers and a can of chicken broth on the top shelf, which she is too short to reach.
Using a ladle, she taps the can to the edge. It wobbles, falls, and she catches it with her free hand. "I'm a genius," she says.
Days pass and the police cannot find the other victim, which means that Hardy is still forbidden to reclaim her possessions.
"At the start," she complains to Annika, "I imagined this guy as some kind of sweet, innocent English monk, with the spy thrillers and the catechism and all that. But I'm starting to hate him. I have this image now of some pervert priest, you know, with the cilice and the drooling problem, hiding out at some pontifical institute to avoid criminal charges in the States. Regrettably, I've seen the man's boxers."
Almost two weeks later, the police locate him. By the time she arrives at the station, he's already sorting through their stuff. She turns angrily to a policeman. "I can't believe you didn't wait for me," she says in Italian. "The whole point was for me and him to divide up the stuff together."
The officer melts away and the other victim turns cheerfully toward her. He's not a priest, after all, but a scruffy twentysomething with blond dreadlocks. "Buongiorno!" he says, conveying in one word his utter inability with the language.
"Weren't you supposed to wait for me?" she replies in English.
"Ah, you're American!" he says, speaking with an Irish accent. "I love America!"
"Well, thank you, but I'm not actually the ambassador. Look, how do we want to do this? Shall we start going through the CDs?"
"You go ahead. A person needs lots of patience for that kind of thing. And Rory is alien to lots of patience."
"You're
Rory?"
"Yes."
"You refer to yourself in the third person?"
"The what person?"
"Forget it. Okay, I'll get my stuff." She loads up her duffel bag, then scans the remaining items. "Wait--something of mine isn't here." All that's left on the table are his tie, books, CDs, and boxer shorts.
"What are you missing?"
"Just something private. Damn it," she says. "It's not worth anything--just sentimental value. A Rubik's Cube, if you must know. It was a present. Anyway ..." She sighs. "Are you making a report for the insurance?"
"I hadn't planned to, to be honest." He leans his head out the door and glances down the hall. He returns and, in a whisper, tells her, "I'm not exactly living in my flat legally. It's a commercial space, in the strictest-speaking sense. I can work there, but I'm not supposed to be living there."
"And what's your work?"
"Teaching
work."
"What
sort?"
"Bit of a nightmare with these coppers, what with me not living there
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