petite dresser near the front door, the phoneâwas white. There was even a white plastic television. The apartment was on a high floor, and an east-facing picture window overlooked the Empire State Building, lit purple and white at its tip. What holiday did purple designate? Easter? But Easter was weeks away. He sat on the edge of the mattress, then bent over with his head between his knees and stared down a big-headed animal that had wedged itself under the box spring. âHere, kitty.â
âThey like to play,â she said.
âWhich is Brunhilda?â
âThat one,â pointing, âthe female.â
Then she said, âI guess weâll have to eat on the bed.â It was true. There was nowhere else to sit.
He said, âOr on the floor,â though the available floor space was not much more than a parquet walkway surrounding the bed (there was barely room to open the closet) and a kitchen area recessed along one wall. âOr in the bathroom?â he added.
Sheâd chosen halibut in honor of their meeting. Already they were building traditions. While he kept the cats busy with a chewed-up string dragged back and forth across the floor, she cooked the fish in one of Amyâs white enamel pans, on top of Amyâs white mini-stove. They squeezed onto the floor between bed and window, and balanced their plates on their knees. Paper towels were their napkins. He took a bite and said, âThis is terrific.â
âIs it? Do you mean that? Iâm glad.â
A cat crashed into his arm and he put down his fork and shoved it away.
âDonât let them bother you.â
âItâs not a problem. I like cats.â In fact, he was allergic. He peered around the room and saw, through watery eyes, a white cosmos. He said, âI feel like I should be drinking milk.â
âI think thereâs some in the refrigerator,â she said, and he protested, âNo, please, I wasnât serious,â leading her to wonder if heâd been making a reference to the catsâwas that it?âwhile he thought back over their past conversations. Had she shown a pattern of literal-mindedness? He saw her puzzlement, and felt as he always did when he allowed himself even the weakest attempt at humor. And what was with these animals that kept coming and coming, nosing around their laps and swatting at their food, so that he or Jennifer seemed always to be hoisting one and tossing it aside?
âNo. Siegfried. No,â Christopher scolded. His sinuses were flooding. Jennifer threw Brunhilda onto the bed and told him that she was aware that by training to paint in a manner she thought of as realisticâshe was aware that, by trying to render from life, she was covertly attacking her mother and what she called her motherâs alcoholic world view, a world view quite accurately illustrated, she felt, in the sixties-style abstract paintings her mother never finished, or in the ones she finished but ruined by angrily painting past the point of completion. âShe destroys her own work,â Jennifer said, and went on to add that she, Jennifer, had recently come to feel that she could, in her own, more representational paintings, not only repudiate her mother but escape her; her attempt to mirror in paint some piece of reality represented her determination to live a dignified life. That was what she believed. Or hoped. She said, âWhen I study the thing Iâm painting, I feel free from not painting.â
Instead of asking her, What do you mean? he said, âWhat do you paint?â
âIâm one of those people standing behind an easel in Central Park.â
âReally?â
âIt seems quaint, but itâs not. Itâs serious.â
âNo. I didnât mean ⦠Itâs not that I ⦠I,â he said, and this timeâshe was embarrassed for having embarrassed himâshe laughed. How could she not? Werenât
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