admonished me. “It’s publicity, isn’t it?”
Andrea wanted to rush right over to the farm, but when we came outside the pub the fog was so thick and close that we decided to settle in for the night instead. I went to up the guest room under the eaves with a hot-water bottle and Crofts’s Collected Poems . I’d forgotten she had been happy until Andrea reminded me. Her memory was so profoundly imbued with her manner of dying and with her violent despair that it was hard to think of her as celebrating life and love. But here were poems about marriage, about the farm, about animals and flowers. It made one pause: if she had married a faithful and loving man, perhaps her poetry would have stayed cheerful and light. Perhaps Putter did make her what she was, a poet of genius; perhaps it was right that he still claimed her by name. But no—here were the last poems in that first collection, the ones that had been called pre-feminist, protofeminist, and even Ur-feminist. Some critics now argued that if only Francine had lived to see the women’s movement, her anger would have had a context; she wouldn’t have turned her fury at being abandoned against herself and seen herself a failure. But other critics argued that it was clear from certain poems, even early ones, that Francine understood her predicament quite well and was constantly searching for ways out. And they quoted the poem about Mary Anning, the early nineteenth-century fossil collector who was the first to discover the remains of an ichthyosaurus in Lyme Regis, not far from here, in 1811. It was called “Freeing the Bones.”
The next morning Andrea and I drove over to the farm and skirted the hedges around it looking for a spot that the unknown gravediggers might decide was suitable for a memorial of some sort.
“This is such a long shot,” I said. “But isn’t it quite possible that some Americans were involved and that they’ve taken the remains back to America? Wasn’t she from Iowa? They’ll bury them in Cedar Rapids.”
“Francine would hate that if she knew,” said Andrea. “She was such an Anglophile that she couldn’t wait to get out of Cedar Rapids. It was the pinnacle of happiness for her to study at Oxford and then to get a job here afterward. No one, not even her family, tried to make a case for sending her bones back to Iowa.”
The farm was owned by an absentee landlord; it was solitary and lovely on this mid-autumn day. We broke through a weak hedge and tramped the land, settling on one or two likely little rises where the monument might go. Francine’s spirit seemed all about us that afternoon, or perhaps it was just because I’d been reading her poetry. It would be nice if she were reburied out here in the open, rather than in that dank little closed-in churchyard. I imagined picnics and poetry readings under the oak trees. With bowls of food left on the grave to feed her starved soul.
Late in the afternoon we returned to the village and decided to have tea in Francine’s sister-in-law’s tea shop. It had occurred to me that perhaps it had been Jane Fitzwater crying at Francine’s grave last night.
The Cozy Cup Tea Shop was packed with journalists, however, and one look at Jane was enough to convince me that it had not been she in the dowdy coat and Wellingtons. Jane, a bit younger than her brother, was less craggy but still imposing, with bleached blond hair and a strong jaw that gave her the look of a female impersonator. Her dress was royal blue and so was her eye shadow—coordinated, no doubt, for the cameras.
She barely gave Andrea and me a second glance when we entered but consigned us to an out-of-the-way table and a waitress who looked to be only about twelve and who brought us very weak tea, stale scones, and whipped cream instead of clotted cream.
“ Whipped cream?” said Andrea severely to the little waitress, who hunched her shoulders and scurried away.
Jane Fitzwater had seated herself at a table of
Ruth Dudley Edwards
Alan Burt Akers
Jacob Ross
V. St. Clair
Jack Ludlow
Olivia Luck
M.L. Greye
Rose Temper
Judith Merkle Riley
P.A. Brown