The Best of Ruskin Bond

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Authors: Ruskin Bond
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become quite bold, now dashed into hiding, at my approach. The smell of one human is like the smell of any other.
    And then the rains were over and it was October; I could lie in the sun, on sweet-smelling grass, and gaze up through a pattern of oak leaves into a blinding blue heaven. And I would praise God for leaves and grass and the smell of things, the smell of mint and bruised clover, and the touch of things—the touch of grass and air and sky, the touch of the sky’s blueness.
    I thought no more of the men. My attitude towards them was similar to that of the denizens of the forest. These were men, unpredictable, and to be avoided if possible.
    On the other side of the ravine rose Pari Tibba, Hill of the Fairies: a bleak, scrub-covered hill where no one lived.
    It was said that in the previous century Englishmen had tried building their houses on the hill, but the area had always attracted lightning, due to either the hill’s location or due to its mineral deposits; after several houses had been struck by lightning, the settlers had moved on to the next hill, where the town now stands.
    To the hillmen it is Pari Tibba, haunted by the spirits of a pair of ill-fated lovers who perished there in a storm; to others it is known as Burnt Hill, because of its scarred and stunted trees.
    One day, after crossing the stream, I climbed Pari Tibba—a stiff undertaking, because there was no path to the top and I had to scramble up a precipitous rock-face with the help of rocks and roots that were apt to come loose in my groping hand.
    But at the top was a plateau with a few pine trees, their upper branches catching the wind and humming softly. There I found the ruins of what must have been the houses of the first settlers—just a few piles of rubble, now overgrown with weeds, sorrel, dandelions and nettles.
    As I walked through the roofless ruins, I was struck by the silence that surrounded me, the absence of birds and animals, the sense of complete desolation.
    The silence was so absolute that it seemed to be ringing in my ears. But there was something else of which I was becoming increasingly aware: the strong feline odour of one of the cat family.
    I paused and looked about. I was alone. There was no movement of dry leaf or loose stone. The ruins were for the most part open to the sky. Their rotting rafters had collapsed, jamming together to form a low passage like the entrance to a mine; and this dark cavern seemed to lead down into the ground.
    The smell was stronger when I approached this spot, so I stopped again and waited there, wondering if I had discovered the lair of the leopard, wondering if the animal was now at rest after a night’s hunt.
    Perhaps he was crouching there in the dark, watching me, recognizing me, knowing me as the man who walked alone in the forest without a weapon.
    I like to think that he was there, that he knew me, and that he acknowledged my visit in the friendliest way: by ignoring me altogether.
    Perhaps I had made him confident—too confident, too careless, too trusting of the human in his midst. I did not venture any further; I was not out of my mind. I did not seek physical contact, or even another glimpse of that beautiful sinewy body, springing from rock to rock. It was his trust I wanted, and I think he gave it to me.
    But did the leopard, trusting one man, make the mistake of bestowing his trust on others? Did I, by casting out all fear—my own fear, and the leopard’s protective fear—leave him defenseless?
    Because next day, coming up the path from the stream, shouting and beating drums, were the hunters. They had a long bamboo pole across their shoulders; and slung from the pole, feet up, head down, was the lifeless body of the leopard, shot in the neck and in the head.
    ‘We told you there was a leopard!’ they shouted, in great good humour. ‘Isn’t he a fine specimen?’
    ‘Yes,’ I said. ‘He was a beautiful leopard.’
    I walked home through the silent forest. It was

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