while he picked his way upstream watching the Jones compound.
Across a small tan meadow there was a main house, a detached garage, a barn and four small casitas. They were all painted soft pink, except for the red barn. There was a grassy swale between the buildings and an enormous oak tree in its center with two rope swings hanging side by side from a low branch and three wooden picnic tables in the shade. The paint on the buildings was fresh, and there were flowers in beds alongside the house and garage.
A teenaged boy in a trucker’s cap roared up a half-pipe on his skateboard, caught air on the free fall and extended his legs at the last minute to crunch down, keep his balance and zoom up the opposite side. The skate run had two half-pipes and a couple of vertical walls and a slalom course. It looked homemade. It was painted putty gray, and it crawled with a snake’s nest of spray-painted graffiti that Lupercio, once fluent in all the languages of the L.A. taggers, couldn’t make much sense of. Over the years, the skateboarders had stolen the old gangland swirls, then the advertisers had stolen them from the boarders. At first it had surprised Lupercio that the style of a full-on, leave-or-die turf tag you might find in Compton could show up a year later on a TV commercial for teenagers’ skateboard shoes. Now the boy flew up the half-pipe for the third time and wiped out. Lupercio watched him hit then roll down the last few feet and sit for a second panting in the ferocious heat. The boy looked at him because he knew he was being watched, then sprung up, fetched his board and started in again.
From the shore of the pond another boy, half the size and age of the first, was fishing. His movements were relaxed but practiced, and when he flung the lure out and up, it sailed through the air and plopped halfway across. Then he stood still for a moment and let the lure sink before reeling it in a few feet at a time. Then he’d wait again. Over and over. Lupercio recognized the patience of the fisherman because he had it, too.
When Lupercio hooked another fish, the little boy looked at him. Lupercio waved and the boy waved back. Lupercio let the fish go, set down his rod and stood for a moment pretending to enjoy the summer day, his back to the Jones property and a hand resting on the long handle of his machete.
A while later he saw the Hawaiian come outside with a baby in his arms. Dad used a hose to put water in a plastic wading pool on a patch of grass, then he turned off the hose and got into the pool with the baby, who screamed with happiness. Lupercio smiled at the big man in the little pool because he looked like an infant.
Lupercio hooked another small bass and played it for a minute, then flipped the rod up and toward him, and the fish sailed through the air and into his hand. He pulled out the hook and dropped the fish back in the water.
Finally the woman came out. She wore a brief brown swimsuit with an open white blouse over it, sandals and a floppy red hat. Lupercio wondered why anyone with such beauty would choose to be a criminal.
Suzanne came down the back deck steps and strode across to the pond. Her face was hard to see at this distance and shielded by the hat. She stopped beside the dock and watched the larger boy ride his board. The boy upped his speed and his bravery to impress and frighten his mother.
She watched, apparently not frightened. Then she walked over to the other boy, knelt down beside him and watched him fish. Suzanne said something to him and the boy said something back, but Lupercio couldn’t hear the words. He could see the similarities in the shapes and shadings of their bodies—the straight shoulders and long limbs and light brown hair. The older boy was black-haired and thickly built. Three sons by three men, thought Lupercio. Araña. Spider.
A minute later she walked back to the plastic pool, took off everything but her swimsuit and climbed in with the Hawaiian and the
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