place. He pulled his cell from his pocket and dialed 911. âOperator, Iâd like to report a dead body. Iâm pretty sure heâs dead.â
âYour location?â
âLocation? Iâm atââ
The line went dead.
And the Polybius clicked on. Plug still in Ludwigâs lifeless hand and three feet from the wall, the Polybius clicked on.
EIGHT
J arrod was back in the rink, back in the dream. Where else would he be? The mural was there. The flames were there. But the boy was not. In his place stood a tall man. He was lanky, with jug ears and a crew cut. âYouâre Shaw.â
âAm I?â
âWhereâs my brother?â
âYou need to look closer,â the man said, turning to face the mural.
Jarrod felt his head turning reflexively, drawn to the images by a pull that was gravitational. âYou did this?â
âDid I?â
âThatâs your name, Shaw, down at the bottom.â Jarrod pointed to the spot where heâd remembered pulling away the signature. But it was gone. âItâs . . . itâs changed.â
âItâs always changing.â
And it was true. The mural had changed again. The woman now fed on the satyr. Her teeth were clamped on his neck, sending freshets of blood spraying into the air. The nymphs and mermaids had been replaced with sharks and lampreys. And the children . . . the children had torn the juggler to ribbons of flesh and entrails. One child, eyes nothing but black hollows, stood guard by the jugglerâs split-open rib cage, while another smiling tot kicked his severed head like a soccer ball.
âWhy?â
âBecause we never see the monsters until itâs too late. We never see the demons till they come for us. The man at the pool, all he saw was his desire reflected. The satyr thought only of lust and never imagined himself as prey.â
âAnd the children?â Jarrod asked, eyes still glued to the mural.
âChildren do as children will.â
Jarrod wrenched himself from the image and faced the man square. âYouâre a monster.â
âI killed monsters.â
â Youâre the monster!â Jarrod hissed. âYou killed children.â
âI killed demons. The children stood in the way. This is war. In every war, innocent blood is shed. Sometimes by the gallon.â The manâs eyes began to recede, fading into black pits of nothingness. âYour brother knew that.â
A stone dropped in Jarrodâs gut. A voice wailed inside his head, a voice that faded to little more than a whisper. I made a promise.
âYour brother knew what it was like to have the blood of the innocent on his hands. He knew what it meant to spill the blood of children.â
The memory rolled over Jarrod like a locomotive. The things Simon had confessed about the raid that night in Kabul during his second tour. The way Simonâs eyes had gone hollow and black as he recounted what heâd seen, what heâd done.
âYour brother was too weak to understand. Not you, Jarrod. You are special.â
This couldnât be happening. Shaw had been dead in his grave for twenty years when Simon was in Afghanistan. Shaw had been a murderer. Simon was . . . Simon was . . .
âWhere is my brother? Why isnât he here?â
âHe was never here, Jarrod. You know that.â
âYou know nothing about my brother!â Jarrod spat. âYouâre nothing but a psycho, Shaw.â
âShaw? You still think Iâm Brian Shaw?â
âWho else?â
âIsnât it clear? Donât you see?â
âSee what?â
âAmazing Grace, Jarrod.â And the man who had been Brian Shaw melted into Jarrodâs own reflection. His twin reached out, clapping his hands to the sides of Jarrodâs face. And Jarrod was tumbling, falling into an abyss of twisting lines.
IT WAS CLEAR now. The world
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