there are pages and pages of huge breasts and asses, giant erect penises and scrotums, and dark triangular patches of hair, and all manner and derivation of frenzied coupling. Kateâs face fills with blood and heat. She shuts the notebook and quickly throws it at the milk crate. She misses and it whooshes and claps against the floor. She looks around the room, wishing that Tommy would walk in and catch her, and yell at her, and sheâd make fun of the pervy pictures and threaten to tell Mom. She waits, her breathing so heavy, but he doesnât walk into his room. She picks up the notebook and looks at the naked pictures again, quickly, before filing the yellow notebook in its Tommy-designated place.
Kate leaves his desk and walks over to his bureau. Even though she wants to, going through his drawers feels like sheâd really be crossing a line that canât be uncrossed. And given the pictures in his notebook, sheâs a little afraid of what she might find, though she canât say what it is exactly sheâs afraid of finding. The top of his bureau is fair game,though, as itâs all out in the open. One corner is stacked with baseball hats, in the middle is an assortment of superhero figurines and mini-Minecraft axes and swords, and thereâs a circular metal tin that once held holiday tea bags thatâs a catch-all for pocket-sized stuff; movie stubs heâs saved (who knows why), key chains heâs never used, a compass with the needle stuck in one place, loose change, small bills. She sifts through the tin and finds a plastic sandwich bag. Inside the sealed bag are two coins.
Tommy went through a coin collecting phase. One summer Mom had inexplicably given both of them a shoebox full of old coins their father had collected. The two of them reverently picked through the box and made a ledger detailing coin types together. Kate lost interest soon after the initial, found-buried-treasure rush. Tommy kept it going and added to the collection on his own, but Kate couldâve sworn heâd stopped collecting a few years ago, certainly before he went to middle school.
Kate opens the bag and slides the coins out onto her palm. One is a penny thatâs old (1956) but isnât a wheat back. What makes the penny remarkable is a large crack in Lincolnâs head that runs horizontally; starting above his eyebrow and going clean through the back of his head. Or maybe itâs a matter of perspective and the crack starts in the back of his head and runs through to the front, and itâs a weird penny version of the Lincoln getting shot in the head (Kate learned about his assassination in third grade). She runs her thumb over the crack and doesnât feel any raised edges.
The second coin is the size of a nickel, and its tails side features Jeffersonâs stately Monticello. Thereâs no Thomas Jefferson profile on the heads side of the coin. Instead, thereâs a blank profile, a silhouette of a face: no features, everything perfectly smoothed over except the profileâs outline. Hovering above this profile is a single eye, like theone on the back of a dollar bill. Kate digs through Tommyâs tin for a regular nickel and compares the two. âIn God We Trustâ and âLibertyâ and the year the nickel was pressed is gone, wiped away. The profile of the man on the coin is different from Jefferson as well; itâs not just Jeffersonâs face with the details removed. Itâs someone elseâs silhouetted profile. The sharp nose and chin has been replaced with rounder versions and his long ponytail swapped out for a short, tight haircut. Itâs definitely a profile of someone more modern. She imagines Tommy using the coin as a joke and trying to convince people that the new nickel features Justin Timberlake or someone equally random. Kate thinks she should know to whom this mysterious profile belongs. Whoever it is, the floating eye above makes it weird
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