followed the curving path I’d worn through the rough grass and weeds, I realized the route was in keeping with good picturesque practice: You registered several distinct changes in the mood of the landscape as you moved from the lucid, sun-lit geometries of the house and garden, up around the pond and into the shadowy woodland, where you even passed by a suitably melancholy ruin—a collapsed handyman’s shack. When Judith stepped into the clearing, she pointed out the good light; this is what had drawn her to the place originally. The sunlight here was uncommonly delicate, finely divided by the relatively small leaves of the trees overhead, and made lively by the birch leaves, which the slightest hint of a breeze was enough to flutter.
Together we examined the views. Two of them were very fine. Looking back toward the house, the landscape sloped down in the middle distance to the pond, which was neatly framed by the big oak and ash and provided a welcome still point in the rolling scene. Beyond the pond stood the rose arbor, now clothed in deep purple clematis, and the path back to the house. It wasn’t what you’d call a picturesque view, since so much in the picture looked cultivated rather than natural—“gardenesque” seemed more like it. But there was something appealing about gazing down from this shady, unseen lair onto such a sunny, well-tended scene, with its enterprising geometries of house and garden. Here was all our familiar handiwork—the clipped apple trees and the right-angled beds, the tidy stone walls and the rose climbing up the trellis on the back porch—but the new perspective, which was angled obliquely to the property’s layout and elevated several degrees above it, rendered everything slightly unfamiliar.
One hundred and eighty degrees in the opposite direction offered a less tended but equally appealing view. Here was a dark funnel of foliage—the cow path—conducting your eye through the woods toward the upper pasture, where all of a sudden the green field detonated in the sun. The view reminded me of the moment at the baseball stadium when you first catch sight of the blazoned green playing field at the end of the dark alley burrowing beneath the stands.
Not all the views were quite this good, however. To the north, above the rock, it was only fifty or so yards as the crow flies to the neighbor’s raised ranch, and though right now, in high summer, I couldn’t see it for the trees, during the seven months of the year when the leaves are down the house’s canary yellow vinyl siding would be on display. The dilapidated green cape house of another neighbor, a cranky old guy who lived alone, was also visible to the southeast, on the far side of the small meadow. His frequent tumultuous efforts to raise a wad of phlegm, the report of which rolled like thunder across the intervening meadow, offered regular reminders that this place wasn’t paradise.
I stayed behind while Judith walked back toward the house; when she reached the door, I stood up on my chair waving my arms so she could get some idea of what the building might look like from the house. I shouted to her to have a look from the bedroom. She reappeared in the second-floor window, giving me the thumbs up. I sat down in my chair to take stock.
The spot certainly had a good aura about it. Whether it was the rock or the light or the clearing, you felt right away that this was somehow a privileged place. I thought of Charlie’s campsite test. Except for the fact that the ground sloped a few degrees, the site seemed to meet its requirements. A tent pitched in this clearing would have the boulder to its north, providing protection from the wind and maybe even a bit of residual warmth during the night. Tucked under these trees with the big rock at your back, this did not seem like it would be a scary place to spend the night. You could see a lot from here without being easily seen yourself.
This last seemed like a particularly
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